In fact, the world’s most popular and recognizable image of Christ is a distinctly 19th-20th century American creation. It is true that versions of the “White Christ” appear in European art as early as the 4th century of the Christian era, but these images coexisted with other, nonwhite representations throughout European history. The popularity of the cult of the Black Madonna and Black Christ throughout Europe is evidence of the fact that the European ‘White Christs’ never acquired the authority and authenticity that the White Christ now has globally. This Christ and his authority are American phenomena. As a predominantly Protestant nation Early America rejected the imaging of Christ that characterized European Catholicism.