Researcher Miles Mathis, takes the whole field of “conspiracy” research to a new level, exposing even most alternative theories as misdirection, and outing seemingly every mainstream cultural icon as an agent, accomplice or dupe of the Intelligence services, at the behest of the ruling elite. Mathis’ most radical vision is that even most alternative “conspiracy” theories play into the larger deception or are a form of controlled opposition, hiding the bigger picture of events from public scrutiny, and reinforcing the illusion that controversial personalities, assassinations, and terror events were real at all.
Mathis explains the pitfall of most such “alternative” or “conspiracy” analyses:
They take a subject, say the Manson murders. They show you many anomalies in the mainstream story, and then give you a new reading. So, they seem to be presenting an alternative history. But if they accept that the Manson murders were real, they have just solidified the mainstream story, while seeming to undercut it. In most of these stories, the mainstream doesn’t care if you see anomalies, or if you think there are conspiracies. They don’t care who you think might be involved. All they care about is that you believe it happened. The details are superfluous. They don’t matter. What matters is the bottom line: that you believe the event happened. All these alternative histories sell the events at least as strongly as the mainstream ever did.
What, you may ask then, is the point of such misdirection? Mathis says that it is to distract and confuse, mis-educate and entertain the masses so we don’t rise up and toss out the rapacious billionaires who run this Matrix of a world. And if that sounds like a Marxist solution, think again, as Mathis shows even Marx was planted to divert popular energy from authentic grassroots organizations of political change, especially the so-called republican movements then on the rise in 1840s Europe.
I emerge from my binge reading of Mathis—artist, physics bad boy, cultural critic, and constant exposer of spooks—with every surety of my youth dispelled by his X-ray vision. Using extensive genealogy from mainstream sources, expert deconstruction of faked news photos, and persuasive logic bolstered by straight-up honesty of method and intent, with a charming way of presenting strong opinions as nothing other than personal speculation, Mathis has caused the house of cards to fall all around me.
All the historical hallmarks of my generation’s heyday, the sixties, lay toppled as shams. Yes, I already knew the Gulf of Tonkin incident was staged, that the mainstream verdict on the Kennedy murder was controlled, and that the Patti Hearst kidnapping was an Intelligence operation. But I still believed my path to truth lay in the writers and musicians who inspired my rise in consciousness above what I came to view as the materialistic mainstream culture and its warmongering government in the US. Now I find that the very icons of the so-called counterculture were themselves enmeshed in the mass deception.